Des récits audacieux sur le latex, les pointes fétiches, les aventures, les projets, les idées, les expériences, les coulisses… et tout ce qui se glisse entre les lignes. Reste à l’écoute, ma belle !
Des tirages qui marquent les esprits et du merch qui fait sensation. Une sélection pointue d’articles pour les vrais passionnés de Latex Ballerina. Attrapez-les avant qu’ils ne disparaissent !
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The stark black and white treatment amplifies this effect in both artworks, stripping away any superfluous detail to focus entirely on form and texture. The subject, me, a young woman, embodies this duality: a deliberate strength in her posture, a subtle vulnerability in her gaze. It’s a conversation between the mechanical and the ethereal, a visual paradox that I find profoundly compelling.
Format: DIN A3 (297mm x 420mm – 11.69 in. x 17.4 in.)
This isn’t about escaping the car; it’s about acknowledging its power, its potential for both exhilaration and danger. The ballet heels are a deliberate assertion of grace and control amidst the mechanical precision. There’s a captivating tension in this moment, as the light catches the polished surface of the leather, reflecting the curve of my legs and the sharp angles of the heels.
Format: DIN A3 (297mm x 420mm – 11.69 in. x 17.4 in.)
The leather sighs beneath me, a familiar comfort, yet utterly foreign. It’s a strange situation, this slick, almost liquid form against the aged solidity of the car. I find myself drawn to the paradox, where the latex seems to both absorb and reflect light, creating a shimmering distortion of space. It’s a deliberate act of containment, a quiet assertion of control within a vessel that’s inherently designed for movement.
Format: DIN A3 (297mm x 420mm – 11.69 in. x 17.4 in.)
I’m simply adding my own note to the symphony; a fleeting, deliberate disruption. This isn’t about conquering the space; it’s about acknowledging its authority, its inherent drama. The latex, of course, is a playful counterpoint, a suggestion of fluidity against the rigid structure, a subtle challenge to the notion of permanence.
Format: DIN A4 (210mm x 297mm – 8.27 in. x 11.69 in.)
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The stark black and white treatment amplifies this effect in both artworks, stripping away any superfluous detail to focus entirely on form and texture. The subject, me, a young woman, embodies this duality: a deliberate strength in her posture, a subtle vulnerability in her gaze. It’s a conversation between the mechanical and the ethereal, a visual paradox that I find profoundly compelling.
Format: DIN A3 (297mm x 420mm – 11.69 in. x 17.4 in.)
This isn’t about escaping the car; it’s about acknowledging its power, its potential for both exhilaration and danger. The ballet heels are a deliberate assertion of grace and control amidst the mechanical precision. There’s a captivating tension in this moment, as the light catches the polished surface of the leather, reflecting the curve of my legs and the sharp angles of the heels.
Format: DIN A3 (297mm x 420mm – 11.69 in. x 17.4 in.)
The leather sighs beneath me, a familiar comfort, yet utterly foreign. It’s a strange situation, this slick, almost liquid form against the aged solidity of the car. I find myself drawn to the paradox, where the latex seems to both absorb and reflect light, creating a shimmering distortion of space. It’s a deliberate act of containment, a quiet assertion of control within a vessel that’s inherently designed for movement.
Format: DIN A3 (297mm x 420mm – 11.69 in. x 17.4 in.)
I’m simply adding my own note to the symphony; a fleeting, deliberate disruption. This isn’t about conquering the space; it’s about acknowledging its authority, its inherent drama. The latex, of course, is a playful counterpoint, a suggestion of fluidity against the rigid structure, a subtle challenge to the notion of permanence.
Format: DIN A4 (210mm x 297mm – 8.27 in. x 11.69 in.)
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